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A few hours ago, I saw a public service ad online about doing something meaningful for September 11th, which, of course, was a horrible day in American history. So on this day, I’ve decided to celebrate my friend and beloved mentor, the renowned African American poet, educator and activist, Dr. Sonia Sanchez.
She celebrated her seventy-ninth birthday two days ago (on September 9th) and continues to bless us with her astounding poems and her courageous, do-right presence in the world. She is one of the most cherished people in my life. I cannot tell you how much I love her.
And, just as a slight, shallow aside, doesn’t she look really beautiful to be seventy-nine years old?! The picture to the right was taken very recently. And I promise you, she’s just as cute in person and she did not buy that hair, okay? It’s all hers, in its thick, wonderful glory. That’s what living a good life and eating a healthy diet can do, y’all.
I met “Miss Sonia” on the page before I’d met her in person, as if the case with many of us “young”—black poets. She knew my father, as he had been a member of the Black Arts Movement and I had read her germinal volume We a BaddDDD People, which had been published by Broadside Press, the same press (then) of my father.
Sidebar: I don’t know how “young” I am anymore, but I still feel like a girl around Miss Sonia. She can do that to you, and you must always remember your manners around her. At least, I do.
And so, when I finally met her in the flesh in my teens—I was sixteen or seventeen—at a small gathering at Spelman College in Atlanta, Georgia, I was a bit surprised at how tiny Miss Sonia was. I was expecting a much, much bigger person to match the huge voice in her poetry, not the tiny-boned, petite woman I encountered. But she was commanding in an almost overwhelming way when she spoke to me. Her air was one both of graciousness and gravitas.
Thirteen or so years later, I saw her again at Cave Canem, the workshop retreat for African American poets. It was the summer of 1998 in upstate New York, and I believe that in a few years, scholars of black poetry will write about that summer, not because I was there—I’m not being modest, just honest—but because of the collection of black poets who were.
Cave Cavem had been founded by Toi Derricotte and Cornelius Eady, well-known poets. Elizabeth Alexander was there as faculty, as was Lucille Clifton—another woman who became beloved to me—and Michael S. Harper. The author and editor Eugenia Collier was there as special guest. And several of the fellows present that year are published poets now, including Lyrae Van Clief-Stefanon, Shara McCallum, Kate Rushin, John Keene, Reginald Harris, Monica A. Hand, and R. Erica Doyle.
I was walking down the hallway of the monastery (where the retreat was heldthat year) when I approached the open door of Miss Sonia’s room. Out of respect for the privacy of a famous person, I kept my head down and tried to pass, but her voice snagged me.
“Hello, my dear sister,” she called out.
My southern home training required a polite exchange but I didn’t want to act like a “groupie,” nor did I want to trade on her past acquaintance with my father—already, I’d caught some shade from my contemporaries for being a “second” generation black poet. I poked my head in, tentatively.
“Hello, Ms. Sanchez. How are you?”
“I’m well, my dear sister. And you?”
“I’m good, thank you.”
She asked my name. Now, I really was in a quandary, and sure enough, when she heard “Jeffers,” she said, “Ah, Lance’s daughter!” She even remembered our first meeting, over a decade before. I was trapped, sucked into the identity of my father, when I was trying to make a name for my own self.
But the next few days weren’t so bad. In fact, they were life-altering. Her poetry reading that week ties as one of the best I’ve ever experienced—it ties with the one Miss Lucille gave that same week. When Miss Sonia read, it was like being in church. No, it was like being in church during revival week, with a full gospel choir, and fried chicken and lemon pound cake afterward, in the fellowship hall.
Over the years, Miss Sonia has become my good friend and my mentor, and I call her about once a month. Mostly, I pretend I’m calling to “check on” her, but really, I’m just calling to hear that voice, that combination of stern, no-nonsense and tender nurturing.–I remember the first time she said she was proud of me, I burst into tears. Right there on the phone. Yes, I should have been ashamed at my display. But no, I was not. I’d been waiting a long time for her to say those words.
Sometimes, I must admit, I do still marvel that I am sharing conversations and laughter with—and receiving wisdom from—one of my literary heroes, and I do have “groupie” moments, like when she calls The Nobel Laureate Toni Morrison simply “Toni”. My heart sort of stops a couple of seconds every time that happens and I have to suppress a little squeal. I can’t lie. I mean, Toni. Morrison. But mostly, I just love to hear Miss Sonia’s voice and the way she draws out “hey” like a Birmingham, Alabama lady when she knows it’s me on the phone. And how she calls me “my dear sister” and makes me feel, well, dear.
If you don’t know who Miss Sonia is, here are some links for you to “refresh yourself,” in the words of another dear black woman. (My mother.) I hope that Miss Sonia’s words will bless your day the way she blesses mine, whenever I call her and she answers the phone.
Sonia Sanchez’s official website
Sonia Sanchez’s Wikipedia Page
Information about the Black Arts Movement
And finally, there is a documentary being made about Sonia Sanchez! It promises to be fantastic. Here is the link to the trailer of the film in progress. Enjoy!